Ebook A Guide to Experimental AlgorithmicsBy Catherine C. McGeoch

Ebook A Guide to Experimental AlgorithmicsBy Catherine C. McGeoch

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A Guide to Experimental AlgorithmicsBy Catherine C. McGeoch

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Computational experiments on algorithms can supplement theoretical analysis by showing what algorithms, implementations, and speed-up methods work best for specific machines or problems. This book guides the reader through the nuts and bolts of the major experimental questions: What should I measure? What inputs should I test? How do I analyze the data? To answer these questions the book draws on ideas from algorithm design and analysis, computer systems, and statistics and data analysis. The wide-ranging discussion includes a tutorial on system clocks and CPU timers, a survey of strategies for tuning algorithms and data structures, a cookbook of methods for generating random combinatorial inputs, and a demonstration of variance reduction techniques. Numerous case studies and examples show how to apply these concepts. All the necessary concepts in computer architecture and data analysis are covered so that the book can be used by anyone who has taken a course or two in data structures and algorithms. A companion website, AlgLab (www.cs.amherst.edu/alglab) contains downloadable files, programs, and tools for use in experimental projects.

• Sales Rank: #1674959 in Books
• Published on: 2012-01-30
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .67" w x 6.14" l, 1.00 pounds
• Binding: Paperback
• 272 pages

Review
"Catherine McGeoch is one of the founders of the field of experimental algorithmics, helping to initiate the discipline with her 1986 dissertation, 'Experimental Analysis of Algorithms.' She has been deeply involved with the development of the methodology of experimental algorithmics over the past 25 years.
This book contains a breadth of advice, examples, and anecdotes, benefiting from her wealth of experience and many collaborations with other innovators in the discipline. The book provides a structured process for the Design of Experiments (DOE) that is tuned to the peculiarities of experiments on algorithms and programs. The book includes dozens of guidelines (68 in all) drawn from her decades 'in the lab.' These guidelines will save the reader loads of time by making the experimental process itself more efficient. Her advice is practical, authoritative, thoughtful, and applicable to the entire range of algorithm design, development, testing, and improvement.
McGeoch's book presents a delightful dance of theoretical and experimental endeavors that in concert provide deep understanding of the algorithms that enable our information age as well as the means to the continual improvement of those fundamental algorithms."
Richard Snodgrass, University of Arizona

"McGeoch (Amherst College) is one of the pioneers in the field. Overall, the book is a desirable companion to algorithm analysis texts, and will greatly benefit the algorithm experimenter community. Recommended."
D. Papamichail, University of Miami for Choice Magazine

"This book provides guidelines and suggestions for performing experimental algorithmic analysis. It contains many examples and includes links to a companion Web site with code for some specific experiments (http://www.cs.amherst.edu/alglab/). The book is a good read with generally good examples, and is short enough to be easily digested."
Jeffrey Putnam, Computing Reviews

"No one is more qualified than Dr. McGeoch to discuss this subject... Overall, this is a very valuable book for every computer scientist's and programmer's bookshelf. It is useful for students and practitioners alike, and is accessible at all levels from serving as an undergraduate supplement to a basic data structures and algorithms course, to its use as the main text in a senior undergraduate to graduate course on the design of real-world algorithms. Even seasoned programmers would benefit from learning the experimental methods given in this book and may gain new insights into analyzing the performance of their algorithmic implementations. As computer architecture continues to increase in complexity with multicore and many-core processors, novel memory subsystems, new accelerators such as Intel Xeon Phi and NVIDIA's graphics processing units (GPUs), and data-intensive computing systems for Big Data problems, the book will become even more valuable for every computer scientist and programmer."
David A. Bader, Georgia Institute of Technology for INFORMS Journal on Computing

About the Author
Dr Catherine C. McGeoch is the Beitzel Professor of Technology and Society in the Department of Computer Science at Amherst College. Professor McGeoch was co-founder (with David S. Johnson) in 1990 of the Discrete Mathematics and Theoretical Computer Science (DIMACS) Implementation Challenges. In 1999 she co-founded (with Michael Goodrich) the annual Workshop on Algorithm Engineering and Experimentation (ALENEX), sponsored by SIAM. She was Editor-in-Chief of the ACM Journal of Experimental Algorithmics from 2003 to 2008 and currently serves on the ACM Publications Board.

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Get Free Ebook Cash Copy: How to Offer Your Products and Services So Your Prospects Buy ThemBy Jeffrey Lant

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• Sales Rank: #319741 in Books
• Brand: Brand: Jeffrey Lant Assocs
• Published on: 1992-08
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 6.25" w x 1.00" l,
• Binding: Paperback
• 480 pages

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Free Ebook 20th Century ArchitectureBy Dennis Doordan

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For undergraduate courses in the History of Twentieth Century Architecture, History of Modern Architecture, History of Twentieth Century Art and Architecture, as well as courses in Material Culture Studies.This introductory historical survey reviews a variety of 20th century design movements provoked by the modern architectural movement, and exposes students to a broad spectrum of styles--including art deco, organic, state classicism, and traditional architecture--and their relationship to social, cultural, and political life of the period. Taking into account recent scholarship and critical debates, it helps students understand the implications of colonial and post-colonial themes in 20th century architecture; gender issues in 20th century architecture; and current discussions among architectural and art historians concerning the role of "canons" in the history of 20th century art and architecture. Engaging students in the lively and on-going debate of how 20th century designers, architects, and engineers conceptualized, fabricated, and evaluated their buildings and environments, the book treats architecture as a broad field of activity in which different conceptions of the built environment coexist and their respective merits are continually debated by designers, patrons, and the general public. Organized into three major periods, it presents a concise yet very ample survey of 20th century architecture that is flexible enough to meet today's diverse course and assignment needs.

• Sales Rank: #814526 in Books
• Published on: 2001-09-23
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .63" w x 8.00" l,
• Binding: Paperback
• 304 pages

From the Back Cover

What is the appropriate architecture for modern times? Should it free itself from the shackles of earlier forms? Or should the received wisdom of the past be incorporated into new buildings? Architects and critics have debated these questions for over a century. Rather than validate a particular ideology, Dennis Doordan's thoughtful, wide-ranging survey follows the progression of modern architecture as a manifestation of this debate.

Histories of modern architecture are often conceived as the struggle, triumph, and inevitable exhaustion of high modernism in the United States, Western Europe, and Scandinavia. The reader of Twentieth-Century Architecture will encounter instead a more global and open approach that considers what was possible, desirable, and appropriate during a volatile era of unprecedented opportunities.

There are three parts: Confronting Modernity, 1900-1940; Modernist Hegemony, 1940-1965; and An Era of Pluralism, 1965-2000. Covering developments in the United States, Latin America, Europe, and Asia, Dennis Doordan discusses the form, function, materials, and technologies of domestic and recreational spaces, workplaces, and buildings that reflect the chosen image of the state, and he also provides some treatment of city planning.

Along the way, the reader is treated to a thorough discussion of the work of architects and designers such as Alvar Aalto, Pietro Belluschi, Paul Bonatz, Le Corbusier, Bertram Goodhue, Walter Gropius, Zaha Hadid, Rem Koolhaas, Julia Morgan, Oscar Niemeyer, Marcello Piacentini, Raili and Reima Pietila, Alison and Peter Smithson, James Stirling, Mies van der Rohe, and Frank Lloyd Wright.

About the Author

Dennis P. Doordan is Associate Professor in the School of Architecture at the University of Notre Dame, Indiana. He is the author of Building Modern Italy: Italian Architecture, 1914-1936 (Princeton Architectural Press, 1988), as well as numerous articles. He is the editor of Design History: An Anthology (MIT Press, 1996) and coeditor of Design Issues, a leading international journal devoted to the history, theory, and criticism of design.

Excerpt. © Reprinted by permission. All rights reserved.

Books belong in the hands of readers and every author imagines who his or her readers may be. This book is an introductory survey of twentieth-century architecture for students engaged in the study of the subject and its relationship to the social, cultural, and political life of the period. It is the author's hope that this text will provoke students to pursue the subject further. If the book starts the reader on a quest to learn more about the subject and draws him or her ever deeper into the issues, it will have accomplished its principal goal.

A second, equally important group of readers will pick up this book not because they are enrolled in a formal educational program but because they are motivated by curiosity. We spend our lives surrounded by buildings and for most of us those of the twentieth century constitute the largest portion of the architecture encountered on a daily basis. Therefore, it is only natural to wonder about something as pervasive, important, and engaging as architecture. What accounts for its diversity in the twentieth century? What stories, ideals, hopes, and fears were architects trying to convey to their peers and to posterity? The author hopes the general reader will find his or her curiosity rewarded and consequently an appreciation of the world around them enhanced.

This book is divided into three main sections. The first part, "Confronting Modernity," surveys four discrete domains of professional design activity in the period 1900-1940: urban architecture, domestic architecture, the architecture of industry and transportation, and political architecture. This period is described as one of intense debate among architects advocating different approaches such as classicism, modernism, organicism, and craft-based design. The second part, "Modernist Hegemony," reviews developments during the period 1940-1965. During these years, the terms of the debate concerning the character of an appropriate architecture were dramatically revised—and narrowed. It is still a period marked by lively discussion, but the discourse is now predicated almost entirely in terms of modernism and modernist conceptions of appropriate models and design strategies. The third part, "An Era of Pluralism," covers the years 1965-2000. A new consciousness of environmental issues, new scientific paradigms, and critical theories of knowledge called into question the certainties of modernism. This part reviews the spectrum of design movements—postmodernism, deconstructivism, new classicism, "green" architecture, and even a reinvigorated modernism—characteristic of the last decades of the twentieth century.

Although writing is often a solitary occupation, no author of an illustrated history book such as this truly works alone. I wish to thank the following people and institutions for their assistance during the long gestation period of this manuscript. Some of the individuals listed below provided support on a regular basis; others appear here because they asked provocative questions or offered useful advice at critical moments in the process of research and writing. To all I offer my sincere thanks: Richard Buchanan, Richard Bullene, Norman Crowe, Kai Gutschow, Robert Hohl, Judith Hull, Wendy Kaplan, Pekka Korvenmaa, Victor Margolin, Dennis McFadden, Sarah Nichols, Janet Parks, Sidney Robinson, Diane Shaw, Thomas Gordon Smith, John Stamper, Davira Taragin, Carol Willis, and John Zukowsky. I would like also to thank the following reviewers: Linda Hart, Department of History and Theory, Southern California Institute of Architecture; Charles S. Mayer, Department of Art, Indiana State University; Kevin D. Murphy, CUNY Graduate Center and Brooklyn College; Lisa Reilly, Department of Architectural History, School of Architecture, University of Virginia; and Craig Zabel, The Pennsylvania State University.

I received invaluable assistance from Jane Devine and the staff of the Architecture Library at the University of Notre Dame. Part of the research for this project was supported by a grant from the Graham Foundation for Advanced Studies in the Fine Arts. I wish to acknowledge the editorial support (and almost infinite patience) of my editors Lee Ripley Greenfield and Richard Mason at Calmann and King. For their work on the collection and preparation of visual material for this book I thank Sue Bolsom at Calmann and King and Thomas Walker at the University of Notre Dame. For his carefully considered and dynamic design I thank Tim Higgins. At various times in my career I have offered classes on different aspects of twentieth-century architecture and design. I have benefited from the thoughtful questions and sharp observations of students and I thank them for their interest in the subject.

Dennis P. Doordan
January, 2001

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